By: Jenée Desmond-Harris
She says that while she's avoided the eating disorders that plague many of her peers, accepting her body's small but curvy shape has been a struggle in a field where not many women look like her.
This trailblazer has also been bold enough to call out what she sees as possible colorism in the dance world, explaining in an interview with AOL Black Voices:
I've seen so many talented black women who come in with the perfect physique and still not get into this company or another one. I think it's probably about timing as well, but it definitely may have been because they were too dark. I think I was lucky to get in when I did and maybe they felt that position was filled.
A young black girl came into the company, and she's fair-skinned like me. We have yet to see a dark-skinned woman come into the company. It's a very touchy subject, in general. Some black women give up and don't do classical ballet dance. I want them to know that times are changing. The more people we have auditioning, they can't deny talent.
People are understandably abuzz over Copeland. African-American mothers will undoubtedly be snatching up posters for the bedroom walls of their dance-loving daughters to inspire them with her beauty and talent. But her perseverance in an unwelcoming field and her graceful advocacy of inclusiveness -- even if just by telling the truth about her experience -- are what really make her a role model, and not just for little girls in tutus.
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